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Behind the Scenes with Ohkura Motonari: Inside Seisho-kai's Kyōgen Practice

The interview traced how Ohkura Motonari holds a seven-hundred-year-old form intact. Here, the camera follows him past the words — into the dressing room where masks are handled by hand, and onto the solid hinoki stage where the fan becomes a sword, a cup, a door.

Ohkura Motonari is a nōgaku performer of the kyōgen role in the Ohkura-ryū, one of two lineages carrying kyōgen forward after seven hundred years, and the founder of Seisho-kai, his own practice group in Nara. His interview traces how a fixed form — the kata — is kept intact across generations, and what it costs and gives to keep it that way.

The video embedded lower on this page offers a closer, more immediate look at that world. If you haven't yet seen the main YouTube series — covering the history of kyōgen, Ohkura Motonari himself, and the experience — it may be worth beginning there first, and then returning to this page.

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Interested in a Deeper Encounter?

How it works

This experience begins with a conversation about your interest in kyōgen, your schedule, and your level of familiarity with the practice. Based on that, Seisho-kai proposes an appropriate format, makes any necessary adjustments, and then confirms the final plan together.

Rather than a fixed off-the-shelf program, it is better understood as a carefully arranged encounter shaped through hearing, proposal, adjustment, and confirmation.

What you’ll get
An introduction to kyōgen that moves past performance and into how Ohkura Motonari actually works: the discipline of keeping the kata intact rather than chasing the laugh in the room, the handling of the fan that becomes a sword, a cup, a door, and the quiet care given to masks carried always by hand. Depending on the final arrangement, this may include stepping onto the solid hinoki stage yourself — learning to kneel in seiza, to bow, and to send an unamplified voice across the room.
Good fit / Not a fit
Good fit
  • Travelers curious about kyōgen as a discipline of restraint, not simply a comic performance
  • Those interested in a form passed down largely unchanged for seven hundred years
  • Visitors comfortable trying something physical and unfamiliar — kneeling in seiza, chanting, bowing — in front of others
  • People drawn to the relationship between a fixed form and the person who keeps it

Not a fit

  • Those expecting a staged performance built for an audience rather than a hands-on practice session
  • Visitors unable to kneel or sit on the floor for extended periods
  • People mainly seeking a photo opportunity without interest in the thinking behind the form
  • Travelers with very limited time, as the practice rewards a slower pace
Practical
  • Timing: To be confirmed based on availability and proposal
  • Group size: To be confirmed
  • Language: English or Japanese
  • Area: Aoyama, Tokyo
  • Lead time: Advance coordination recommended; exact lead time to be confirmed
  • Format:Final format is adjusted after hearing and proposal. Experience contents are not treated as fully fixed at this stage

What’s decided later

The final structure is arranged after hearing your interest in kyōgen, your schedule, and the depth of engagement you are looking for. Elements such as whether the visit includes chanting utai, dancing mai, or handling a fan, and how much time is spent on explanation versus practice on the stage, are confirmed later rather than assumed in advance.

Where relevant, the encounter may include conversation, demonstration, or hands-on practice, but the exact configuration should be treated as case-specific. This page introduces one important figure and perspective, but depending on the broader itinerary, the featured practitioner here may not always be the sole or central point of the final experience design.

House rules
  • This is a hands-on practice, not a performance to watch from a distance.
  • Masks and costumes are handled only by Seisho-kai members; guests are asked not to touch them directly.
  • Footwear is removed on the stage; requests based primarily on price reduction are generally not a good match for the way this experience is arranged.
  • Photo, video, and recording expectations should be confirmed in advance rather than assumed.
  • Final details are coordinated carefully, so we appreciate thoughtful communication and timely confirmation once a proposal has been shared.

Conversation and cultural engagement remain central to the experience. However, depending on the guest’s interests and desired depth of engagement, the artisan featured on this page is not necessarily guaranteed to be the central focus of the tour in every case.